The hot Audio WA12 is an excellent, single-channel 312-style microphone and Instrumentenpreamp. He is with Cinemag input and output transformers equipped (Made in USA), which also provide in hi-end devices like the Presonus ADL-700, A-Designs Pacifica or Universal Audio LA-610 for the corresponding signal quality. Features:

• 1-channel mic preamp
• 9.5 “/ 1U
• 71dB gain
• Custom Designed Cinemag input and output transformer (Made in USA!)
• TONE switch – switches the input impedance of 600 Ohm to 150ohm (sound change both the microphone and the instrument input)
• Front panel Hi-Z input sends the signal through the entire circuit (both by the Cinemag transformers and by the discrete op-amp).
• 100% discrete circuit
• 1731 Style Op-Amp
• Microphone input: XLR / TRS combo
• Balanced outputs: XLR and 6.3 mm jack
• 48V phantom power
• -20dB pad
• Phase reverse switch
• External 24V power supply module for low noise

The hot Audio WA-2A follows his famous role model in many details. The discrete opto compressor provides a respective Custom Cinemag transformer in input and output, four premium TungSol tubes and the legendary Kenetek Opto cell that applies to many users as the best on the market.
For decades, the 2A-circuit greatest likingness pleased with to give producers around the globe and is with its unique control behavior for one of the best ways signals like vocals, bass and many other instruments that certain something. No other plug-and no other compressor type can it signals to caress so warm and gentle as can the 2A compressor.
In the development of the WA-2A Hot Audio has placed a high value on the same 4-tube design, to use two transmitters and the optical photo-cell as they were already provided in the original circuit. The big difference from the original, however, is that the 2A compressor with the WA-2A is now affordable at last for many users.

Features:

• 1-channel tubes opto compressor / limiter
• 100% discrete signal
• CineMag input transformer
• CineMag output transformer
• 4 Premium TungSol and Electro-Harmonix tubes (2x 12ax7, 1x 12BH7, 1x 6AQ5 (or 6p1 – interchangeable)
• Kenetek Opto-cell
• integrated power supply
• Stereo Link option
• Balanced XLR and jack inputs – 600 Ohm resistor
• Balanced XLR and TRS outputs – 600Ohm resistance
• Frequency Response: +/- 1dB 15Hz to 20kHz
• Gain: 40dB ± 1dB
• Input Level +16 dB maximum
• Output Level +10 dB nominal, +16 dB maximum
• Distortion: Less than 0.1% THD at ± 10 dBm
• Attack Time -10 milliseconds Release Time -0.06 seconds for 50% release; 0.5 to 5 seconds for complete release
• Meter for gain reduction and output
• Dimensions: 48.26cm x 17,78cm x 8,89cm Weight: 5,44kg

The hot Audio Tone Beast TB12-500 is a single channel microphone and instrument in API 500 format. He is with Cinemag input and output transformers equipped (Made in USA), already provide in hi-end devices such as the Presonus ADL-700, A-Designs Pacifica or Universal Audio LA-610 for the corresponding signal quality. The discrete circuit of the TB12 based on the popular 312 design and adds a number of features that make the tone Beast for powerful and flexible sound shaping tool. the precursor provides up to 71dB gain. Facilities include next to the microphone input (XLR) and a line and an instrument input, each in the form of pin terminals are available. Features:

• 1-channel microphone and Instrumentenpreamp in 312-Style
• requires 2 module slots in the rack 500
• 71dB gain
• The Transformer bypass switch takes the output transformer of the signal chain
• Steel and 50% nickel exchanger for different tone shaping
• Two different discrete op amps: 1731 (Vintage) and 918 (Cleaner)
• TONE switch – switches the input impedance of 600 Ohm to 150ohm (sound change both the microphone and the instrument input)
• Front panel Hi-Z input sends the signal through the entire circuit
• Microphone input: XLR (front and back), symmetrical 6,3mm
• Instrument Input: 6,3mm
• Balanced outputs: XLR and 6.3 mm jack
• Insert: 6,3mm
• 48V phantom power
• -20dB pad
• Phase reverse switch
• LoCut
• LED Meter

The hot Audio WA12-500 is a discrete, single-channel microphone and instrument preamplifier in 500 format. He is with Cinemag input and output transformersequipped (Made in USA), which provide in hi-end devices like the Presonus ADL-700, A-Designs Pacifica or Universal Audio LA-610 for the sound. The up to 71dB gain preamp delivered module is equipped with 48V phantom power, a phase switch and a 20dB pad. In addition, it features a TONE switch that lowers the input impedance of 600 Ohm to 150ohm and thus enables a significant change in the sounds. Furthermore a high-impedance instrument input is available, which is provided at the front as a jack input.

Features:

• 1-channel mic preamp
• API 500 Format
• 71dB gain
• Custom Designed Cinemag input and output transformer (Made in USA!)
• TONE switch – switches the input impedance of 600 Ohm to 150ohm (sound change both the microphone and the instrument input)
• Front panel Hi-Z input sends the signal through the entire circuit (both by the Cinemag transformers and by the discrete op-amp).
• 100% discrete circuit
• 1731 Style Op-Amp
• 48V phantom power
• -20dB pad
• Phase reverse switch

1-CHANNEL MICROPHONE AND INSTRUMENT PREAMPLIFIER

The hot Audio Tone Beast TB12 is a discrete, single-channel microphone and instrument in the 312 design . He is with Cinemag input and output transformersequipped (Made in USA), which provide already in hi-end devices such as the Presonus ADL-700, A-Designs Pacifica or Universal Audio LA-610 for the corresponding signal quality. Features:

• 1-channel microphone and Instrumentenpreamp
• 19 “/ 1U
• 71dB gain
• The Transformer bypass switch takes the output transformer of the signal chain
• Steel and 50% nickel exchanger for different tone shaping
• Two different discrete op amps: 1731 (Vintage) and 918 (Cleaner)
• TONE switch – switches the input impedance of 600 Ohm to 150ohm (sound change both the microphone and the instrument input)
• Front panel Hi-Z input sends the signal through the entire circuit
• Microphone input: XLR (front and back), symmetrical 6,3mm
• Instrument Input: 6,3mm
• Balanced outputs: XLR and 6.3 mm jack
• Insert: 6,3mm
• 48V phantom power
• -20dB pad
• Phase reverse switch
• LoCut
• LED Meter
• External 24V power supply module for low noise

The EQP WA of US manufacturers Warm Audio presents a high quality replica of the most famous tube equalizer of studio history, the Pultec EQ. Thanks to the carefully selected components as the CineMag transformers and the premium tubes feels the discrete EQP WA not only like a Pultec EQ , it also delivers the superior sound quality of the classic. He is able to make the most of a track and to give a mix that special something, the “in-the-box” would be difficult to realize. Warm Audio has managed again to the EQP WA to offer a popular studio classics at a price which has no equal.

Warm Audio EQP-WA in detail:

• Tube EQ, based on the classic “Pultec” EQP-1A
• CineMag input and output transformer – Made in USA
• Premium 12AX7 and 12AU7 tubes
• Inductors EQ section with CineMag transformers
• The EQ section can be gebypassed. for the extra portion of warmth – – The signal is still running through the tubes and transformers
• Transformer balanced inputs and outputs (XLR and jack)
• Frequency response of 20Hz – 50kHz
• Boost and Cut can be used simultaneously to allow phase effects
• Low Frequency Boost – 20, 30, 60, 100, 200, 400, 800 Hz – 12 dB
• Low Frequency Cut – 20, 30, 60, 100, 200, 400, 800 Hz – 18 dB
• High Frequency Boost – 3, 4, 5, 8, 10, 12, 16 kHz – 18dB
• High Frequencz Cut – 3, 4, 5, 10, 20 kHz – 14 dB
• 5 more frequency points over the EQP-1A for more versatility
• Integrated 115/230 volts IEC PSU
• Dimensions: 19 “/ 2U

FET COMPRESOR i LIMITER

The hot Audio WA76 is a modern replica of the probably most well-known compressor ever, the Urei 1176 .
Due to the relatively low price of the WA76 manages Warm Audio but the Studio Classics also become a “must have” for project studios without professional budget to make. The ultrafast attack times and the special, distinct sound made ​​the 1176 end of the 1960s quickly became the favorite of studio professionals worldwide. Since then, he is one of the absolute classics of the scene and provides up today for bright engineers eyes and ears. The WA76 is CineMag input and output transformers equipped (Made in USA), which were built already in the original – at that time still under the name of “Reichenbach Engineering “.

Features:

• Mono FET Compressor / Limiter
• 1176 replica (Revision D)
• 19 “/ 2U
• Discrete circuit
• CineMag input and output transformer (Made in USA)
• Extremely fast attack times
• Class A output amplifier
• Input impedance 600Ohm
• Frequency Response: ± 1 dB @ 20 Hz to 20 kHz
• Connections: XLR and jack (input and output)
• 55dB gain
• -23dB pad
• Less than 0.4% THD in limiting mode in the range of 50Hz to 20kHz
• Noise Ratio: 74dB
• Attack time: 20 microseconds to 800 microseconds
• Release times: 50 milliseconds to 1 second
• Ratio: 4: 1, 8: 1, 12: 1, 20: 1, and “All buttons in” mode
• VU meter: Gain Reduction (in dB) or output (in dB)
• Internal power supply, external 24V AC Power Adapter