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• 2 Recording channels with 2 SuperAnalogueTM Mic preamps (66 dB Gain)
• 75Hz High-pass filter
• Separate line-level input, which can also be used as instrument input
• One knob compressor – based on the classic SSL channel
• Compressor
• 2-Band EQ – Shelf or Bell curve switchable
• ALT input, insert and 2 stereo cue ways
• 2 Stereo channels with two stereo cue paths each
• 100 mm Fader
• Up to 12 channels can be used for summation
• G Series Bus Compressor with fixed attack, release and ratio
• Professional monitoring section

• 32 Microphone inputs via XLR, 8 XLR combi-jacks
• 40 Mixer channels: 32 Mono and 4 stereo/returns
• 31 Output busses with BSS graphic equalisers on each bus
• Fully-parametric 4-band-EQ on each channel and bus
• 8 VCAs and 8 mute groups
• 4 Lexicon effects devices
• 26 Motor faders (24 inputs and LR/mono)
• 4 Fully customisable fader layers
• 5” Colour touchscreen
• Colour LCD display on each input fader
• 32 x 32 USB audio interface
• App for remote control via iPad
• RJ45 Connector for connection to the Soundcraft Stagebox
• Additional slot for optional Si card
• Dimensions (H x W x D): 160 x 750 x 500 mm
• Weight: 20 kg

Digitalni Mixer

• 16 Mic Input
• 8 XLR Output
• 8 DCA and 6 Mute groups
• 17 Motor Fader
• 5″ Colour Display
• 32 x 32 USB Audio Interface
• 25 Mix buses
• DAW Remote Control
• Wireless Remote Control over IOS App
• AES50 Network (up to 96 inputs and 96 outputs)

Meet the StudioLive 16.0.2!

Our StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package.

Small size. Bigger possibilities.

In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.)

But don’t let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.

More than a mixer: an integrated system.

The 16.0.2 integrates a 16×16 FireWire interface and comes with Capture™, Studio One Artist™ recording and production software, and Virtual StudioLive, bidirectional control software.

130 quality signal processors at your fingertips.

The 16.0.2’s Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects.

Our first compact mixer with MIDI control from a footpedal.

Moreover, a glance at the rear panel reveals that “Junior” offers something the two bigger boards don’t: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.

What was then is now: completestore and recall.

Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.

Features:

• 8 mono mic/line channel inputs, each with:
  • High-headroom Class A XMAX™ mic preamplifier
  • XLR mic and balanced ¼” line inputs
  • 60 mm precision fader
• 4 stereo line channel inputs, with:
  • High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11, 13, and 15)
  • Balanced ¼” line inputs (Ch. 9-16)
  • Unbalanced RCA line inputs (Ch. 13-16)
  • 60 mm precision fader (4 stereo)
• 4 Auxiliary buses (pre/post-fader send)
• 2 Internal FX buses
• 2 stereo 32-bit digital effects processors with customizable reverb and delay presets
• Fat Channel signal processing on all channels and buses, with:
  • 3-band semi-parametric EQ (individual band on/off)
  • Full-featured compressor
  • Standard downward expander
  • Limiter
  • Phase reverse (12 mic preamplifiers only)
  • Pan with dedicated 15-LED display
  • Stereo link for input channels and aux buses
  • High-pass filter
• One 31-band stereo graphic EQ (on main outputs only)
• 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
  • Compatible with most audio software via ASIO, Windows Audio, Core Audio
• Scene store and recall
• Settings can be copied among channels and buses and saved as user presets.
• Software bundle for Mac® and Windows® includes:
  • PreSonus Studio One Artist™ digital audio workstation
  • PreSonus Capture™ live-recording software
  • PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software
  • Free downloadable software from the Apple App Store provides wireless remote control, including:
    • PreSonus StudioLive Remote for iPad®
    • PreSonus QMix™ for iPhone® and iPod touch®
• Lockout mode protects your settings from meddlers and accidents
• MIDI Control Mode provides control over:
  • Scene and FX Preset recall
  • Main Volume, FXA, and FXB output levels
  • FXA and FXB assign/unassign to Mains